Master’s Degree in Film, Media and Maritime Culture

Why this master’s programme?

The Master’s in Film, Media and Maritime Culture

Immers you in the intersection of audiovisual storytelling and the maritime world. Explore the history of ocean cinema, the cultural representations of the sea, and the emerging new narratives in the marine sphere. You will learn to create impactful audiovisual projects that reflect the complexity and beauty of the ocean, from documentaries to fiction. This program provides you with the tools to analyze, interpret, and produce creative content that contributes to a greater awareness and understanding of the challenges and opportunities of the marine environment.

Differential Advantages

  • Interdisciplinary Approach: Combines film theory, cultural studies, and marine science.
  • Professional Internships: Carry out audiovisual projects in collaboration with maritime institutions and organizations.
  • Skills Development: Learn to write screenplays, direct, produce, and edit films and documentaries.
  • Networking: Connect with professionals in film, television, and the maritime industry.
  • Career Opportunities: Prepare yourself for work in audiovisual production, environmental journalism, science communication, and management cultural.

Master’s Degree in Film, Media and Maritime Culture

Availability: 1 in stock

Who is it aimed at?

  • Graduates in Audiovisual Communication, Journalism, Humanities, and Fine Arts seeking specialization in maritime narrative and the cultural representation of the sea.
  • Film, television, and new media professionals interested in expanding their expertise with ocean-related themes and impactful documentaries.
  • Cultural managers, researchers, and educators who wish to delve deeper into maritime heritage and its dissemination through audiovisual media.
  • Producers and directors who aspire to create audiovisual projects with social and environmental content related to the ocean.
  • Digital content creators and visual artists seeking to explore new forms of expression inspired by the sea and its culture.

Flexibility Academic

Ideal for active professionals: online format with live and recorded classes, 24/7 access to learning materials, and personalized support from expert tutors.

Objectives and skills

Develop impactful audiovisual narratives:

“Mastering screenwriting, directing, and editing techniques to create audiovisual products that connect emotionally with the audience and convey clear and persuasive messages.”

Critically analyze the representation of the sea in film and media:

Deconstructing dominant narratives and stereotypes, identifying ideological biases and their impact on public perception of the ocean.

Mastering film production techniques in maritime environments:

“Plan and execute safe underwater filming, managing risks associated with depth, visibility, and marine fauna.”

Promote innovative creative projects with marine environmental awareness:

“To develop artistic solutions that use recycled ocean materials, promoting sustainability and awareness through creative expression.”

Leading the research and conservation of maritime heritage through audiovisual media:

Documenting and disseminating significant findings through high-quality audiovisual productions, collaborating with experts and local communities.

Building strong professional networks in the maritime audiovisual industry:

Actively participate in industry events, online platforms, and professional associations to establish key contacts, exchange knowledge, and explore collaboration opportunities.

Study plan – Modules

  1. Theoretical Foundations of Film and Digital Media: Historical Evolution, Sociocultural Contexts, and Technological Revolutions
  2. Critical Theory Applied to Film: Structural, Semiotic, and Discursive Analysis of Contemporary Audiovisual Narratives
  3. Advanced Visual Analysis Tools: Editing, Lighting, Colorimetry, and Framing in the Digital Age
  4. Communication Strategies: Building Persuasive Messages and Generating Engagement on Multiplatforms
  5. Transmedia Narrative Design: Integrating Stories Across Film, Social Media, Augmented Reality, and Virtual Reality
  6. Impact of Streaming and Digital Platforms on Audiovisual Production and Distribution
  7. Comparative Analysis of Emerging Genres and Formats within the Digital Entertainment Industry
  8. Big Data and Algorithms as Tools for Understanding Audiences and Adapting Content cinematographic

    Regulatory and ethical aspects in contemporary audiovisual communication: copyright, privacy, and cultural representation

    Development of critical and creative skills: scriptwriting, distribution strategies, and evaluation of innovative audiovisual projects

  1. Theoretical Foundations of Audiovisual Narratives in Marine Environments: An Interdisciplinary Approach Between Film, Media, and Marine Ecology
  2. Advanced Methodologies for the Critical Analysis of Marine Audiovisual Content: Semiotics, Ecocriticism, and Applied Postcolonial Theories
  3. Script Design and Development with a Focus on Ocean Representations: Character Construction, Plots, and Aquatic Symbolism
  4. Film Production Techniques in Marine Contexts: Underwater Filming, Camera Operation at Sea, and the Use of Aquatic Drones
  5. Study and Application of Emerging Technologies for Multimedia Capture in Marine Environments: 360° Recording, Virtual and Augmented Reality for Ocean Immersion
  6. Editing and Post-Production Processes Specific to Marine-Themed Content: Color Correction, Integration of Visual Effects, and Underwater Surround Sound
  7. Analysis of Emblematic Cases in Film History and media about the ocean: narrative trends, cultural impact, and critical reception

    Ethics and responsibility in the audiovisual representation of marine ecosystems and coastal communities: sustainability, inclusivity, and social awareness

    Distribution and dissemination strategies for marine audiovisual productions on traditional and digital platforms: festivals, social media, and specialized streaming

    Assessing the sociocultural and environmental impact of audiovisual content about the sea: indicators, metrics, and community return

  1. Fundamentals of Audiovisual Narrative: Dramatic Structure, Plot Arcs, and Script Evolution in Marine Contexts
  2. Cultural and Environmental Contextualization: In-depth Analysis of the Historical and Symbolic Relationship Between Humans and the Sea in Media Narratives
  3. Advanced Digital Storytelling Techniques: Integration of Multimedia, Interactivity, and Transmedia in Productions About Marine Environments
  4. Research Methodologies and Critical Analysis: Hermeneutic, Semiotic, and Deconstructional Approaches Applied to Marine Films, Documentaries, and Digital Content
  5. Study of Specific Genres: Ecological Documentary Film, Marine Fiction, Experimental Film, and Video Art with Oceanic Themes
  6. Character Development and Representation of the Sea as a Narrative Agent: Anthropomorphism, Symbolism, and Visual Metaphors
  7. Impact of Immersive Technology (VR, AR) on the Creation of Maritime Narrative Experiences
  8. Sensorial and emotionally immersive
  9. Advanced media criticism: evaluation of media discourses on maritime culture, analysis of stereotypes and hegemonic discourses
  10. Planning and production of audiovisual projects with a sustainable and ethical approach in the marine context
  11. Study of emblematic cases and benchmarking: detailed analysis of works that have defined the maritime cultural imaginary in film and digital media
  1. Fundamentals of Maritime Audiovisual Direction: Analysis of Narrative and Structure for Oceanographic and Cultural Content
  2. Specialized Script Development: Advanced Techniques for Fiction, Documentary, and Immersive Formats Related to the Marine Environment
  3. Cinematography in Aquatic Environments: Uses of Underwater Cameras, Drones, and Stabilized Platforms to Capture the Aesthetics of the Sea
  4. Lighting and Visual Composition in Marine Environments: Management of Natural and Artificial Light to Maximize Expressiveness in Open Spaces and Underwater
  5. Nautical Sound Design and Capture: On-Site Recording, Acoustic Treatment of Water, and Sound Design for Immersive Experiences
  6. Introduction to VFX and Advanced Post-Production: Integration of Visual Effects to Recreate Oceanic Phenomena, Marine Fauna, and Underwater Landscapes
  7. Technical Workflow for Maritime Audiovisual Productions: Planning, Filming, Editing, and Delivery with a Professional and Efficient Approach
  8. Innovation in immersive experiences: virtual reality (VR), augmented reality (AR), and 360° applied to marine stories
  9. Digital distribution strategies: OTT platforms, social media, and specialized communities to maximize reach and cultural impact
  10. Regulation and ethics in marine audiovisual production: permits, respect for the environment, and best practices for conservation
  11. Successful case studies: detailed analysis of outstanding audiovisual productions that address marine themes from multiple genres
  12. Financing and co-production methodologies in projects about the sea: sources, grants, and strategic alliances
  13. Use of scientific data and collaboration with marine experts to enrich the accuracy and depth of audiovisual content
  14. Evaluation and measurement of social and cultural impact: tools and metrics to assess the reach of projects
  15. Comprehensive planning for filming in marine environments: logistics, safety, and Contingencies for technical and artistic teams
  1. Advanced Foundations of Technological Innovation Applied to Marine Cinema: Volumetric Capture Systems and Real-Time Rendering Algorithms
  2. Extended Reality (XR) for Aquatic Narratives: Integration of Virtual (VR), Augmented (AR), and Mixed (MR) Reality in the Construction of Immersive Underwater Experiences
  3. 3D Modeling and Digitization of Marine Ecosystems: Underwater Laser Scanning Techniques, Photogrammetry, and Spatial Reconstruction for Authentic Film Environments
  4. Development of Transmedia Platforms for Marine Cultural Dissemination: Multiplatform Storytelling Strategies and Synchronization of Interactive Content in Real Time
  5. Interactivity and Gamification in Aquatic Film Projects: Design of Gesture Interfaces and Haptic Sensors for Sensory Immersion of the Viewer
  6. Virtual Production Frameworks for Filming in Marine Environments: Use of Volumetric Capture and LED Walls to Minimize Environmental Impact and Maximize realism
  7. Implementation of artificial intelligence in the post-production of marine images: from the reconstruction of coral textures to the simulation of natural ocean movements
  8. Critical analysis of emblematic cases in film and media that have innovated in the use of XR and immersive technologies for the conservation and dissemination of marine culture
  9. Legal and ethical aspects in the creation and distribution of immersive marine content: intellectual property, image rights, and digital environmental protection
  10. Methodologies for evaluating the impact and user experience of extended aquatic narratives: metrics of immersion, retention, and transmedia engagement
  1. Fundamentals of Audiovisual Narratives Applied to Marine Environments: Semiotic and Structural Analysis of Stories in Aquatic Contexts
  2. Creative Mapping and Advanced Scriptwriting: Development of Plots Integrated with Marine Elements, Ecology, and Blue Cultural Heritage
  3. Innovation in Underwater Filming Techniques: 360° Cameras, Aquatic Drones, and Volumetric Capture Systems in Marine Environments
  4. Art Direction and Production Design in Maritime Cinema: Creation and Management of Natural and Virtual Scenarios with Integration of XR and Augmented Reality Technologies
  5. Design and Use of Specialized Visual Effects (VFX) to Simulate Oceanic Environments and Complex Marine Phenomena
  6. Sound and Sound Design: Hydroacoustic Recording Techniques, Immersive Sound Design, and Spatial Audio for Marine Audiovisual Experiences
  7. Advanced Post-Production: Workflows for Underwater footage editing, color correction with specific profiles for light and aquatic coloration

    Integration of artificial intelligence in narrative: algorithms for script analysis, prediction of emotional impact, and generation of personalized marine content

    Digital distribution and emerging markets: OTT platforms specializing in maritime-themed films and global positioning strategies

    Case studies: critical analysis of cutting-edge audiovisual productions that combine technological innovation and deep oceanographic narratives

  1. Fundamentals of Digital Storytelling: Classical vs. Emerging Narrative Structures in Marine Environments
  2. Immersive Technologies Applied to Film: Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR) for Maritime Experiences
  3. Design and Development of Interactive Scripts: Software Tools for Immersive Storytelling in Marine Cultural and Environmental Contexts
  4. Integration of Volumetric and 3D Capture in Marine Film Production: Advanced Techniques and Workflow
  5. Simulation and Modeling of Aquatic Scenarios with Real-Time Graphics Engines (Unreal Engine, Unity) for Immersive Storytelling
  6. Advanced Post-Production for Immersive Cinema: Spatial Audio and Video Editing, Stereoscopic Compositing, and Color Correction in Marine Environments
  7. Remote Collaborative Production Methodologies: Protocols and Tools for Audiovisual Teams Specialized in Marine Culture and Environments
  8. Study of Case studies and critical analysis of innovative film and media productions related to maritime culture.

    Legal and ethical aspects of immersive production: image rights, intellectual property, and cultural preservation in maritime content.

    Distribution and digital marketing strategies for specific marine film projects, including VR platforms and interactive experiences.

  1. Fundamentals of managing film projects in marine environments: contextual analysis, environmental and logistical challenges
  2. Strategic script and audiovisual narrative design: adapting content to aquatic and marine settings
  3. Detailed planning of filming in aquatic environments: schedule, permits, risks, and specialized safety protocols
  4. Selection and management of advanced technology for marine production: underwater cameras, maritime drones, lighting and recording systems in extreme environments
  5. Logistics and interdisciplinary coordination: collaboration with marine biologists, engineers, salvage experts, and environmental authorities
  6. Comprehensive management of technical and human resources in maritime productions: roles, nautical safety training, and contingency management
  7. Post-production methodologies geared towards the faithful representation of the marine environment: color correction, underwater visual effects, and immersive sound design
  8. Distribution and marketing strategies for film and media projects focused on marine culture: analysis of niche markets, international festivals, and specialized digital platforms
  9. Cultural and environmental impact assessment of marine audiovisual projects: ethics, sustainability, and social responsibility
  10. Case studies and analysis of landmark productions: critical analysis, lessons learned, and application of best practices in aquatic contexts
  1. Fundamentals of Technological Innovation in Maritime Cinema: Historical Evolution and Current Paradigms
  2. Disruptive Technologies Applied to Maritime Film Storytelling: Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR)
  3. Immersive Capture and Production: Advanced Underwater Filming Techniques, Marine Drones, and Specialized 360° Cameras
  4. Development of Multisensory Narratives: Integration of Ambient Audio, Haptic Effects, and Immersive Experience Design
  5. Post-Production Software and Platforms Focused on Immersive Maritime Content: Editing, Color Correction, and Environmental Simulation
  6. Digital Strategies for the Distribution of Maritime Cinema: Interactive Streaming, OTT Platforms, and On-Demand Experiences Focused on Maritime Audiences
  7. Modeling and Simulation of Aquatic Environments Using AI for the Creation of Hyperrealistic Scenes and visual effects
  8. Technical and logistical considerations for filming in hostile marine environments: permits, safety protocols, and environmental sustainability
  9. Viewer immersion and engagement: analysis of interaction metrics and emotional response in digital narrative experiences
  10. Future trends and technological outlook in maritime cinema: blockchain for distribution, thematic metaverses, and advanced interactive cinema
  1. Theoretical and Academic Foundations of the Master’s Thesis: Objectives, Scope, Methodology, and Evaluation Criteria
  2. Design of Research Projects in Marine Culture: Formulation of Hypotheses and Delimitation of Relevant Issues in Film and Media
  3. Integration of Immersive Technologies: Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR) Applied to Marine Audiovisual Narratives
  4. Application of Transmedia Narratives in the Cultural Dissemination of the Marine Environment: Media Convergence, Multiplatform Design, and Interactive Experiences
  5. Advanced Study of Screenwriting and Narrative Structure Oriented to Hybrid Media and Immersive Experiences on Marine Themes
  6. Methodologies for Incorporating Marine Scientific and Anthropological Data into Audiovisual Creation to Reinforce Authenticity and Educational Dissemination
  7. Use of Professional Software for Editing, Post-Production, and Assembly of Immersive Pieces: Adobe Premiere, After Effects, Unity, and Unreal Engine Engine
  8. Advanced distribution and exhibition strategies on digital platforms, film festivals, virtual museums, and educational environments specializing in maritime culture

    Emblematic case studies: critical analysis of successful audiovisual projects that combine film, digital media, and technology for marine cultural dissemination

    Scientific and professional writing: preparation of reports, dissertations, essays, and academic articles for the Final Project presentation

    Planning and management of complex audiovisual projects: timelines, budget, technical and human resources for marine transmedia production

    Evaluation of the project’s social and cultural impact: indicators of success, reach, inclusion of coastal communities, and cultural sustainability

    Oral defense and public presentation of the Final Project: argumentation techniques, effective communication, and handling criticism in academic and professional settings

    Professional ethics in audiovisual research and production: copyright, environmental protection, and respectful representation of marine and coastal communities

Career prospects

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  • Cultural Manager in Maritime Institutions: Design and management of cultural programs related to the sea and film.
  • Film Critic and Analyst specializing in maritime cinema: Analysis of films and documentaries with marine themes.
  • Screenwriter and Audiovisual Content Creator: Development of scripts and formats for film, television, and digital platforms focused on the sea.
  • Audiovisual Director and Producer: Direction and production of films, documentaries, and other audiovisual content with maritime themes.
  • Academic Researcher: Research in areas such as the history of maritime cinema, the representation of the sea in the media, and maritime culture.
  • Archivist and Conservator of Maritime Audiovisual Heritage: Preservation and dissemination of film and audiovisual archives related to the sea.
  • Consultant for companies in the Maritime sector: Consulting in communication, marketing, and audiovisual production.

    Maritime film festival curator: Selection and programming of films for specialized festivals.

    “`

Entry requirements

Academic/professional profile:

Bachelor’s degree in Nautical Science/Maritime Transport, Naval/Marine Engineering or a related qualification; or proven professional experience on the bridge/in operations.

Language proficiency:

Functional Maritime English (SMCP) recommended for simulations and technical materials.

Documentation:

Updated CV, copy of qualification or seaman’s book, national ID/passport, motivation letter.

Technical requirements (for online):

Device with camera/microphone, stable internet connection, monitor ≥ 24” recommended for ECDIS/Radar-ARPA.

Admissions process and dates

Online
application

(form + documents).

Academic review and interview

Admissions decision

Admissions decision

(+ scholarship offer if applicable).

Place reservation

(deposit) and enrolment.

Induction

(access to the virtual campus, calendars, simulator guides).

Scholarships and financial support

  • Maritime Narratives: Master the techniques of screenwriting, directing, and production focused on the oceanic universe.
  • Visual Culture: Analyze the representation of the sea in film, media, and culture, developing a critical and creative perspective.
  • Technology and Cutting Edge: Explore the latest technologies in marine audiovisual production, from virtual reality to underwater cinema.
  • Industry and Market: Connect with industry professionals and learn about the distribution and marketing of marine audiovisual content.
  • Innovative Projects: Develop your own audiovisual project with the support of experts and mentors.
Boost your career and become a global storyteller of the sea.

Testimonials

Frequently asked questions

The main focus is the study of film, media, and maritime culture.

Yes. The itinerary includes ECDIS/Radar-ARPA/BRM with harbor, ocean, fog, storm, and SAR scenarios.

Online with live sessions; hybrid option for simulator/practical placements through agreements.

Film, audiovisual media and cultural studies related to the sea.

Recommended functional SMCP. We offer support materials for standard phraseology.

Yes, with a relevant degree or experience in maritime/port operations. The admissions interview will confirm suitability.

Optional (3–6 months) through Companies & Collaborations and the Alumni Network.

Simulator practice (rubrics), defeat plans, SOPs, checklists, micro-tests and applied TFM.

A degree from Navalis Magna University + operational portfolio (tracks, SOPs, reports and KPIs) useful for audits and employment.

  1. Theoretical and Academic Foundations of the Master’s Thesis: Objectives, Scope, Methodology, and Evaluation Criteria
  2. Design of Research Projects in Marine Culture: Formulation of Hypotheses and Delimitation of Relevant Issues in Film and Media
  3. Integration of Immersive Technologies: Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR) Applied to Marine Audiovisual Narratives
  4. Application of Transmedia Narratives in the Cultural Dissemination of the Marine Environment: Media Convergence, Multiplatform Design, and Interactive Experiences
  5. Advanced Study of Screenwriting and Narrative Structure Oriented to Hybrid Media and Immersive Experiences on Marine Themes
  6. Methodologies for Incorporating Marine Scientific and Anthropological Data into Audiovisual Creation to Reinforce Authenticity and Educational Dissemination
  7. Use of Professional Software for Editing, Post-Production, and Assembly of Immersive Pieces: Adobe Premiere, After Effects, Unity, and Unreal Engine Engine
  8. Advanced distribution and exhibition strategies on digital platforms, film festivals, virtual museums, and educational environments specializing in maritime culture

    Emblematic case studies: critical analysis of successful audiovisual projects that combine film, digital media, and technology for marine cultural dissemination

    Scientific and professional writing: preparation of reports, dissertations, essays, and academic articles for the Final Project presentation

    Planning and management of complex audiovisual projects: timelines, budget, technical and human resources for marine transmedia production

    Evaluation of the project’s social and cultural impact: indicators of success, reach, inclusion of coastal communities, and cultural sustainability

    Oral defense and public presentation of the Final Project: argumentation techniques, effective communication, and handling criticism in academic and professional settings

    Professional ethics in audiovisual research and production: copyright, environmental protection, and respectful representation of marine and coastal communities

Request information

  1. Complete the Application Form.

  2. Attach your CV/degree certificate (if you have it to hand).

  3. Indicate your preferred cohort (January/May/September) and whether you would like the hybrid option with simulator sessions.

    An academic advisor will contact you within 24–48 hours to guide you through the admission process, scholarships, and compatibility with your professional schedule.

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